Recycling old Photo and text work while I take a bit of a break. This one from the vault in my sepia phase – August 2005.

Recycling old Photo and text work while I take a bit of a break. This one from the vault in my sepia phase – August 2005.

To help me get incentivized to organize my work, and to take a bit of a summer break I decided to rummage around the closet (well, an old hard drive or two) and publish some oldies that go back a bit — as in 15+ years ago when this photos/words practice first started. You’ll note that the photos are not quite up to current standards (a 2 megapixel camera was hot stuff back them) and you may or may not notice a difference in writing style (if one can call it that). In any event, you are going to get oldies for a while.
This one dates back to 2005, a summer trip to the Boston area as I can best recall.

This caught my eye today from Summer Storm by Dana Gioia:
Why does this evening’s memory
Return with this night’s storm –
A party twenty years ago,
Its disappointments warm?
There are so many might have beens,
What ifs that won’t stay buried,
Other cities, other jobs.
Strangers we might have married.
And memory insists on pining
For places it never went,
As if life would be happier
Just by being different.
Indeed, memory does seem to pine “for places it never went.” It feels natural to believe that “different” must be better, that “Door #1” I didn’t pick must have been better than “Door #2” that I did pick. But of course we don’t know, never will. Not really. Still….
There are times when Howard Thurman’s writings feel bottomless:
“It is urgent to remember that death is not the worst thing in the world. Again, death is an event in life. It is something that occurs in life rather than something that occurs to life. The distinction is important and urgently significant. If death is an event in life, then it must take place alongside an endless series of events, none of which exhausts life or determines it…. [T]he glorious thing about man’s encounter with death is the fact that what a man discovers about the meaning of life as he lives it need not undergo any change as he meets death.”
Photo taken of one of the Portland, Oregon bridges a few years back.

Photo taken a couple of years back inside (obviously) Mel’s Pub, a dive bar in Detroit (They made me go!) That I immediately recognized the neon as five syllables for a haiku calling for twelve more syllables speaks volumes, though I am not sure exactly what is being said. But this has been sitting my my “ready to go” folder for some time and today seemed like a good day to release it into the world. That, and nothing else came to mind today.

Today from Howard Thurman:
“[T]here are many things that move unchanged, paying no attention to a device like the calendar…that are not noted by the calendar, even though they may be noted on the calendar…. There are desires of the heart or moods of the spirit that may flow continuously for me whatever year the calendar indicates. The lonely heart, the joyful spirit, the churning anxiety may remain unrelieved, though the days come and go without end.”
It becomes easy in life to focus on, to get tied up in the calendar, and to lose site of the fact that there are many things not on the calendar that deserve attention.
Photo taken a few summers ago in Malibu. Ran across the text recently and am still exploring it.

It can be difficult to generate a chuckle early in the morning, say within the first hour of waking up. Chuckles seem more likely to occur as the day progresses, or doesn’t, as the case may be. However, these lines from William Meredeth’s Poem About Morning accomplished that difficult task so efficiently this morning that the chuckle may last me until late evening:
*
But the clock goes off, if you have a dog
It wags, if you get up now you’ll be less
Late. Life is some kind of loathsome hag
Who is forever threatening to turn beautiful.
Now she gives you a quick toothpaste kiss
And puts a glass of cold cranberry juice,
Like a big fake garnet, in your hand.
Cranberry juice! You’re lucky, on the whole,
But there is a great deal about it you don’t understand.
*
Indeed, “life is some kind of loathsome hag” but there is “a great deal about it I don’t understand.” But I do appreciate the chuckle.
The more I delve into Billy Collins’ poetry, the more I appreciate his style, particularly his ability to mix the right amounts of seriousness and irreverence and shake them gently into a pleasant cocktail. As the concoction goes down smoothly there arises that pleasant reminder that while life is indeed serious shit, one needs to be wary of taking it too seriously.
From Nightclub:
You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of men and women alike.
You are so beautiful, too bad you are a fool
is another one you don’t hear.
Or, you are a fool to consider me beautiful. That one you will never hear, guaranteed.