In listening to O’ Holy Night recently I somehow focused on the word “yonder” – as in “for yonder breaks a new and glorious morn.” “Yonder” is not really a modern word. In fact, it seems like a word that, if used, would perhaps label someone as somewhat of a rube. Indeed, it sounds like something Jed Clampett or Granny would say in The Beverly Hillbillies (“Jethro, go fetch Ellie Mae yonder at the cement pond.”). Still, it seems like a great word. It replaces “in a distance, over there” quite succinctly.
In contemplating the songwriter’s use of that word, it occurs to me that the Christmas Story is, in fact, a story of “yonder.” It is a story of how we get from “here,” from where we are and what we are, to “yonder,” to a better place, to some better form of ourselves, some better form of humanity.
“[F]or yonder breaks, a new and glorious morn.” I can almost hear it from the wise men – and from myself — “Let’s go over yonder and see what that star is all about. What’s going on in that manger? Who is that little baby?”
Photo taken from an office window in Portland this morning. Lyrics, with a twist, from In the Bleak Midwinter.